It is good music of parentheses of three movement organization. The first movement is "Heart". The act is raised from the Canecda sound of Barbary. The brass instrument joins the melody of the woodwind. There begins to be solo of the chime, too and brew the Marting style. "Mind" of the second movement starts from an aggressive phrase. The melody of the trombone is ..parentheses.. good. The phrase of the trombone ahead gets on after hitting the tympani repeatedly, and a fast melody with various musical instruments ends repeatedly. "Soul" of the third movement is .."Looseness".. movement unlike the previous two movements. The solo of the horn and Harmony of the trumpet are attractive movements. Kyoctotono begins to ring cymbals, becomes grand, will step up the tempo before long, be reproduced the subject of the first movement and the second movement, and the tune end. It is a tune of about eight minutes.

　It is a work of this and three movement organization. As for the first movement, when it is at the beginning like the fanfare, and it ends, the subject of the horn and the woodwind is performed to the accompaniment of the trombone. And, the subject is repeated by all concerts, the accompaniment of the trombone ahead starts, and the tune faces the climax. The second movement is a movement to make it hear. The leadership of two movements is a tenor saxophone. The subject is performed with these musical instruments. The subject of the first movement appears suddenly at the beginning in the third movement. Moreover, it is grand. And, it steps up the tempo, and the tune ends with surprising swiftness. It is a tune of about seven minutes.

　It is the one that this tune that appeared in "Chapter1" was arranged for Marting. Development is slightly different from an original tune. However, because both are good works, it is unquestionable. Please see an original tune of "Chapter1" about the explanation of this tune. It is a tune of about nine minutes.

　It is a work of three movement organization. The first movement raises the act by the fanfare with the horn and the trumpet. And, after the accompaniment of the percussion instrument, the subject of the trombone and the horn is performed. They are bewilderingly developed, and it ends by hitting the gong. The second movement raises the act from the wind chime. The solo of the horn flows after the accompaniment of the flute. It is beautiful. The following are the solo of the trumpet. The following are the re-solo of the horn again. Ah Bi .. The third movement starts from the feeling immediately before the combat starts. And, the trumpet fanfare becomes loud, and the music of a colorful fight starts. The horn and the trombone are greatly taken an active part here. It is good parentheses movement. It is a tune of about eight minutes.

　This also organizes three movements. The subject of the first movement with the horn is very impressive. And, a certain phrase flows. The phrase is a phrase in the third movement coda of "IN THE BEGINNING..." collected to "Chapter3". The second movement is .."Looseness".. movement, and the solo of each brass instrument appears. A beautiful melody is very relieved. The Latin percussion appears though the third movement is Marting. The subject of the horn and the woodwind is performed after the accompaniment of the rhythm and the trombone with a fast conga, and the subject of the first movement is reproduced. And, the current melody gets on on a high hat cymbals. It increases tempo when entering the coda, and the tune ends. It is a tune of about eight minutes.

　It is the one that this tune collected to "Chapter2" was arranged for Marting. It is longer for a long time than an original tune though the performance time is a half. Please see the explanation of an original tune of "Chapter2" about the explanation of this tune. It is a tune of about ten minutes.

　It is an arrangement version of the tune of this name collected to "STORMQUEST". It is a tune of about eight minutes.